Welcome to the detailed analysis for cattledecapitation.com. This domain is officially recognized as Cattle Decapitation. According to their official web presence, their primary focus is: "The new album DEATH ATLAS available November 29th, 2019 on Metal Blade Records.".
"1. Terrasitic Adaptation2. We Eat Our Young3. Scourge Of The Offspring4. The Insignificants5. The Storm Upstairs6. âŚAnd The World Will Go On Without You7. A Photic Doom8. Dead End Residents9. Solastalgia10. Just Another Body"
"Though many bands have tried, no one articulates the real apocalypse humanity is facing as vividly and succinctly as Cattle Decapitation. With 2019âs Death Atlas they reached the apex of this, perhaps leading some to believe they had no place left to go beyond such an achievement, but now they return with Terrasite, which is as bold a statement as they have ever made. âAfter a record like Death Atlas you have to make a turn,â states guitarist Josh Elmore. âEverything about that album - the concept, artwork, music, etc, was a final statement. The only way to move forward is rebirth. In approaching the newest record it was not only necessary to keep the musical trajectory the band has been aiming towards since the beginning, but also to further explore the ambient/textural elements that were part of Death Atlas.â As such, Terrasite pushes their sound further into more epic and varied territory, and in the hands of vocalist Travis Ryan the governing concept takes a new and disturbing direction. âI wanted to do the 180° opposite of Death Atlas. I already had the concept idea from years back and since Death Atlas was so dark and brooding, I wanted a completely opposite effect - I wanted this to take place in the daylight. Iâve always found daytime horror to be really unsettling so I wanted to make sure what was going on on the cover took place in the light of day, which also finds its place within the lyrics.â"
"Written both separately and during sessions together in San Diego - which required certain members to regularly fly into the city - the record came together naturally, though not without personal struggle. Every member of their current lineup - Elmore, Ryan, guitarist Belisario Dimuzio, bassist Olivier Pinard and drummer David McGraw - has grown to fill their musical niche in the band, and learned how to get the best out of each other, making for their most accomplished work to date. Roaring to life with the savage yet hauntingly melodic âTerrasitic Adaptationâ and advancing through the likes of the relentless âWe Eat Our Youngâ and culminating with the ten-plus minutes of âJust Another Bodyâ, it is an album that constantly shifts dynamics, and demands a variety of emotional responses. âAll the Cattle hallmarks are there; ripping blasts, abrasive and aggressive guitar/bass riffs and Travisâs varied vocal approach; but this record just feels different. I donât know how else to put it. There is a deep richness to the guitar tones and a more prominent bass guitar presence, the drums parts are assaultive, but tasteful and Travisâ vocals are as varied as theyâve ever been but with an added emotional depth. The whole record sounds like a somber panic attack; like mourning the loss of a loved one at Mach 3,â says Elmore. âThe trademark Cattle intensity is always there, but this time at paces that range from frantic to controlled and driving but with more focus on menacing heaviness. The ambient and effect-laden guitar presence also takes up a much larger part of the whole experience.â"
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"The title is a word invented by Ryan that brings together âTerra-â meaning earth and â-siteâ derived from the Greek word â-sitosâ which means âfoodâ. âThe combination of the two meaning âearth-eaterâ, as a metaphor for humanityâs role in the destruction of the planet, and is a play-on-words of the very fitting word âparasiteâ.â This is vividly brought to life in the artwork by longtime collaborator Wes Benscoter. âWe see the nymph stage of this human/cockroach hybrid that is more of a fully grown being that has just molted from its ootheca stage, startled, confused, frightened but also pissed off and ready to join the rest of its brood in finishing humanityâs job of destroying the Earth.â When asked where he is coming from lyrically on this record, Ryan frankly states âfrom a place of distress. Anger, rage, resentment, depression, anxiety, a poor outlook on our species both on a day-to-day level, a broader, worldly level as well as a philosophical level.â For example, the lyrics of âA Photic Doomâ âare more of just a metaphor for being alone in your head and turning away from the life that is exposed by the light of day. Shaking your fist at the sun for exposing this place to us. For uncovering the depravity of our species and casting light onto subjects rather than letting them rest in the darknessâ. Then there is âScourge Of The Offspringâ which âmakes up the bulk of the albumâs concept that the first song âTerrasitic Adaptationâ and the cover art sort of set into motion. In the first song we find out what's going on on the cover, and this song deals more with what our children will end up being - adult humans, shat out and left to make sense of this world only to end up being part of the problem simply by existing.â"