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"“Making petrified conditions dance by singing them their own tune.”"

"In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people’s passive conditioning with carefully calculated scandals and the playfully subversive tactic of détournement. Seeking a more fundamental social revolution than was dreamed of by most leftists, they developed an incisive critique of the global spectacle-commodity system and of its “Communist” pseudo-opposition, and their new methods of agitation helped trigger the May 1968 revolt in France. Since then (although the SI itself was dissolved in 1972) situationist theories and tactics have continued to inspire radical currents all over the world.      The SI Anthology is the most comprehensive and accurately translated collection of situationist writings in English. It presents a rich variety of articles, leaflets, graffiti, and internal documents, ranging from the situationists’ early experiments in “psychogeography” to their lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese “Cultural Revolution,” and other crises and upheavals of the sixties.      The Bibliography has been updated to include comments on dozens of newer books by and about the situationists."

"Guy Debord was the most influential figure in the Situationist International. His book The Society of the Spectacle, originally published in Paris in 1967, has been translated into more than twenty other languages and is arguably the most important radical book of the twentieth century.       Contrary to popular misconceptions, Debord’s book is neither an ivory tower “philosophical” discourse nor a mere expression of “protest.” It is a carefully considered effort to clarify the most fundamental tendencies and contradictions of the society in which we find ourselves — in order to facilitate its overthrow. This makes the book more of a challenge, but it is also why it remains so pertinent more than half a century after its original publication, while countless other social theories and intellectual fads have come and gone. It has, in fact, become more pertinent than ever, because the spectacle has become more all-pervading than ever — to the point that it is almost universally taken for granted. Most people today have scarcely any awareness of pre-spectacle history, let alone of anti-spectacle possibilities. As Debord noted in his follow-up work, Comments on the Society of the Spectacle (1988), “spectacular domination has succeeded in raising an entire generation molded to its laws.”      Ken Knabb’s new translation is the first edition in any language to include extensive annotations, clarifying the historical allusions and revealing the sources of Debord’s “détournements.”"

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